By Lynne Pleau
Are the days of the hardbound portfolio gone? Cool on-line portfolios make a lot of sense, but are they the only choice for face-to-face meetings with editors through a conference?
Carrying a portfolio is a wonderful way to market oneself, not just as a writer, but as a experienced. A couple of years ago, through a final-minute conference meeting, a mentor asked me for a writing sample. I stuttered, fishing about in my briefcase for some thing, something to hand more than. I lastly developed a quite rough draft of a story I’d been operating on. Ugh. That day, I vowed I would by no means once more attend a conference with no a experienced sample. I borrowed a trick from my art college days and developed a hardbound writing portfolio.
Why a hardbound portfolio? Technologies is dependent upon a charged battery and a WIFI connection. And we all know these fail unexpectedly. When you are sitting across from your dream editor, you do not want to be dependent upon a device that is not operating. In addition, it can take time to connect to your internet site, time wasted when you have only fifteen minutes with an editor. And if you do not have a robust net presence, a physical portfolio is a wonderful choice.
Placing your writing in a portfolio is like placing artwork in a gilded frame. It all of a sudden appears impressive. When you see your writing in a clean, sleek portfolio, in poly-glass pages, with a thin black border about every web page, your writing requires on a new professionalism. You will knowledge a self-assurance boost—a very good issue to have when you are nervous about pitching.
A clean, experienced-searching portfolio speaks nicely of you. The moment you hand it to somebody, you have told them a lot about your expertise of the market, your respect for your craft, and your organizational capabilities. Inside a nicely-organized portfolio, an editor has immediate access to almost everything he or she requires to know about you: your bio, your resume, your list of published writing, your references, the sorts of writing you are pitching with a couple of samples of each—all inside the covers of one particular book. You do not have to sort via papers or folders in your hands, or worse, inside your briefcase.
An editor meeting could pop-up unexpectedly, and with it the opportunity to pitch some thing you are interested in but hadn’t planned for. No dilemma, if you have a wide variety of current samples in your portfolio. These samples can incorporate almost everything from novel excerpts to articles and poetry.
In addition, organizing your operate in a portfolio and producing a list of published writing give you a new point of view about your operate. Your list can aid you track and capitalize on trends in your writing you could not have noticed otherwise—revealing strengths and regions of knowledge you can maximize, creating it less difficult to pitch to new markets. It can also inspire you to create far more, to fill in exactly where you see gaps, or update old samples.
The job of a hardbound portfolio is to grab and hold an editor’s interest. To do that, it requires to be clean, sleek, nicely-organized, and experienced. In my subsequent post (tomorrow), I’ll speak about methods to build a portfolio that aids you sell oneself and your writing.
Lynne Pleau has published articles, evaluations, poetry, and flash fiction in publications like Marriage Partnership Magazine, War Cry, Christian Communicator, and in Havok, Splickety, and Spark Magazines. She has won a number of awards for her flash fiction.